Reporting In Indigenous Communities: 5 Tips to Get It Right


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Reporting in Indigenous communities may be tough. It isn't simply navigating delicate points like these surrounding tales about missing and murdered Indigenous girls, however protecting complicated terrain in tales that embody the Indian Act, treaties and land claims to call a number of. It is not all the time easy to get it proper.


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As a journalist at CBC, I've coated a whole lot tales in Indigenous communities within the Northwest Territories, downstream from the oilsands and in my very own Gitanmaax neighborhood, in Northwest B.C. But at the same time as an Indigenous reporter, there are times when i grapple with how to tell a delicate story in an Indigenous community.


With JHR, I facilitated a course for journalists in newsrooms throughout Canada, called Reporting in Indigenous Communities, modeled on Duncan McCue's fashionable web site and UBC class, RIIC. Listed here are some tips we gathered to foolproof your Indigenous journalism. In a current media workshop, I screened what I thought-about an excellent news story about voting in an Indigenous group.


  1. Rethinking Twitter
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It was an emotional, participating and empowering story focusing on two younger predominant characters. I paused at sure scenes to clarify what the reporter and the interviewee have been doing to make compelling Tv. But a scholar stopped me to ask why the reporter questioned the youth about the kind of medicine he used growing up - "oxytocin or meth"?


It stopped me in my tracks. I knew it gave the story weight and context in regards to the hurdles this community had overcome, but I also thought, how usually would we ask non-Indigenous individuals this same query for a story unrelated to medication and alcohol? Surely many people of different races have had brushes with and even struggled with addictions.


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It's a lesson about inserting our personal bias about Indigenous people, intentionally or inadvertently into our storytelling. The tip here is to consider what biases or tropes you are bringing to your tales with your personal preconceptions about Indigenous folks. The victim narrative: depicting Indigenous individuals or a person as collapsing underneath the burden of historical past or present realities, or overcoming tragedies that don't have any root cause.


The addict and alcoholic stereotype: exhibiting a person's previous or present substance abuse when it's unrelated to the story. The warrior trope: relatively than looking at concerns as reliable political, environmental or socio-economic ones - painting an Indigenous particular person as a bother maker, or as irrational, even violent. The greedy chief label: as a substitute of telling a strong story about finances, treaties and lands in Indigenous communities, showcasing a narrow or crude presentation of the problems.


Just lately one chief's excessive wages were used to paint all chiefs in the same gentle, for example. Being delicate to stereotyping is just not the identical as avoiding pertinent points that truly exist. As journalists, we now have a responsibility to precisely and objectively report on points. However there are ways we are able to do that while nonetheless being sensitive to the challenges of Indigenous reporting. Which leads us to the next tip.


Context example: A paragraph explaining why there are elevated rates of violent crimes in Indigenous communities or historic causes that have result in substance abuse to make sure that you're not reporting on a problem in a silo. If you are trying on the impact, you also must look at the cause. Also, one Indigenous individual's voice isn't representative of all.


I've done this, heck we have all executed this — rely on that one Indigenous chief, professor or neighborhood activist to symbolize a whole spectrum of views and ideas of all Indigenous folks. But if you're looking for the Indigenous perspective in your story, will probably be difficult to search out it since Indigenous peoples in Canada should not homogenous. Even within smaller communities, various viewpoints exist.